— ๐˜๐˜ช๐˜ฏ๐˜บ๐˜ญ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜š๐˜ฑ๐˜ข๐˜ช๐˜ฏ —

sรกbado, 5 de septiembre de 2020

ROCK ISLAND LINE, THE LONNIE DONEGAN SKIFFLE GROUP (1955)

 

Lonnie Donegan’s unfeasibly rapid, almost punk, version of the traditional American folk song played a big part in triggering the skiff e craze in the UK. Following its release, legions of would-be rockstars picked up DIY guitars: including a young John Lennon and even younger Jimmy Page.



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viernes, 4 de septiembre de 2020

RESPECT, ARETHA FRANKLIN (1967)

 

 
The Queen Of Soul perfectly rearranged Otis Redding’s 1965 hit single and reappropriated it, turning it into a powerful feminist anthem with a global message. Recorded with her sisters Erma and Carolyn on backing vocals, Aretha’s version added the “R-E-S-P-E-C-T” chorus and the fantastic “sock it to me” refrain.  



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jueves, 3 de septiembre de 2020

YOU REALLY GOT ME, THE KINKS (1964)



On The Kinks’ breakthrough hit, it was mad axeman Dave who nipped brief y out of his elder brother’s shadow to lay down one of rock’s most inf uential riffs. His distorted solo was the heaviest yet witnessed on a UK 45, and lays claim to being a forerunner of the heavy-metal scene that was lurking around the corner.


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sรกbado, 15 de agosto de 2020

REBEL WITHOUT A PAUSE, PUBLIC ENEMY (1987)

 


Rebel Without A Pause was the first single lifted off the It Takes A Nation Of Millions To Hold Us Back album. Faster beats, a screaming horn loop and textures aplenty created an intense sample-delic wall of noise that was further into people’s faces than ever before: a powerful mix of innovation and aggression.

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viernes, 14 de agosto de 2020

I FEEL LOVE, DONNA SUMMER (1977)

 



A spectacularly influential 45, electronic dance music began with producer Giorgio Moroder’s seductive collaboration with breathy disco queen Donna Summer. According to legend, Brian Eno excitedly played the record to David Bowie at Hansa Studios in Berlin, and promptly declared: “I have heard the sound of the future.” He wasn’t wrong.

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jueves, 13 de agosto de 2020

miรฉrcoles, 12 de agosto de 2020

SMELLS LIKE TEEN SPIRIT, NIRVANA (1991)

 



An obvious but unavoidable entry, almost overnight Smells Like Teen Spirit transformed 80s outsider rock into the mainstream music of the 90s. Rock had a new godhead, in the shape of Kurt Cobain, with swinging Seattle its epicentre. The song itself owed a lot to the Pixies and Boston’s More Than A Feeling.



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